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She sums up her feelings by re-creating a bittersweet plane ride home from Europe when she heaps attention onto an elderly Armenian woman sitting next to her, wishing she had demonstrated the same care for her own departed grandmother. Walter Bobbie's directorial hand is minimally evident as Martin roams around such subjects as dating or the lack ofraising two boys as a divorced mom, having an affair with a much younger man, discovering her Armenian roots and reconciling her relationship with her own mother.

Describing the laborious process of getting them off to school, she states, "I blow them a kiss, they give me the finger.

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In a later visit, Martin recalls her dying mother giving her a final benediction by declaring, "You are enough. Expand the sub menu VIP. Expand the sub menu More Coverage. Expand the sub menu Theater.

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Expand the sub menu Awards. Observing her failed efforts a priest advises her, "Why don't you find out what God means to you first and leave your boys alone. The transitions from one mood to another are often chunky but the talent of this woman never fails to shine through. Oct 15, am PT. By Julio Martinez Plus Icon.

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Expand the sub menu Digital. Switch edition between U. Asia Global. Expand the sub menu TV. Expand the sub menu What To Watch. Martin also pays a visit to her divorced mother, re-creating a Christmas Eve at age 13, as her mom cheerfully sings "Feliz Navidad" and offers her own version of life's bitter truths.

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Cast: Andrea Martin. Expand the sub menu Video. By Julio Martinez.

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Andrea Martin's one woman show is an intriguing amalgam of the new and the old, mixing soft, controlled, humor-tinged examinations of her life with scenery-gobbling revisits to some of her most popular characterizations developed during her seven-year stint on the revue-based "SCTV" TV series. Performing in front of Loren Sherman's all-purpose set, Martin utilizes a projection of Edward Hopper's painting "Lonely Woman in a Cheap Hotel" to set the mood for the evening.

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As an expected encore to the evening, Martin does a turn as the indefatigable Edith Prickly, who spits out her response for those who criticize her for wearing an animal skin, "Do you know how many animals I had to sleep with to get it? To help keep your secure, please log-in again. Martin looks at her life with almost helpless wonder, starting with a survey of one chaotic day in the life of a single, working mother with two boys.

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Opened, reviewed Oct. Running time: 1 hour, 20 min. Cheryl Kinsey, the ultimately repressed sex therapist; Dutch Van Dyke, the lesbian children's entertainer who warbles the gender-aware ditty, "Betty the Big, Big Beaver;" the menopausal TV personality Libby Wolfson; and a riotous English lesson with gibberish-spouting Perini Sclerosa.

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Dressed in a skin-toned body suit, Martin strikes the same pose as the nude figure from the painting to alert the audience to the soul-baring that lies ahead. Along the way, Martin is assisted greatly by backstage pianist Stephen Marzullo.

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